scientist dub in the roots tradition rarity

Showing a propensity for electronics in his teenage years, Tubby went on to receive formal training at the College of Arts, Science and Technology in uptown Kingston. Born Osbourne Ruddock in 1941, Tubby's family would move from downtown Kingston to Waterhouse, an expansive area of western Kingston, in the early '50s, and settle into the house where Tubby would eventually set up his legendary studio. From hip-hop to techno, grime to jungle and drum & bass, and (perhaps most obviously) dubstep, many latter day music genres can trace at least some of their roots back to the dub tradition.Īt the forefront of the Jamaican dub movement was King Tubby. As an approach (if not necessarily a sound), dub is a major part of the DNA of contemporary music production. In essence, dub marked the birth of remixing taking existing material and creating entirely new compositions from it. Using (and abusing) delays, reverbs, filters and tape machines, dub practitioners would take previously recorded tracks, strip away everything but the drums, bass, some keys or horns, some fragments of vocals or melody and rework these skeletal structures into new, hypnotic shapes. In the late '60s and early '70s, dub – as a distinct style of music defined by a set of evolving sound manipulation techniques – would emerge to profoundly transform reggae music.

The story continues below with the emergence of dub, krautrock and disco all musical styles which are closely linked to a few creative producers pushing the idea of the instrument further than what had previously been possible. In Part 1 and Part 2 of our History of The Studio As An Instrument, we looked back at some of the pioneers of composing with recorded sound and traced the earliest predecessors of sampling, looping and sequencing techniques.

Scientist dub in the roots tradition rarity